demonstrating lighting, posing,
and composition tips and techniques all along the way.
Join Erik for a quick overview of the class.
Including a Landmark in the Shot
Part of the process of telling the story of a location is
including landmarks in your shots with your subjects. Erik demonstrates a
few ways to deal with shooting people alongside of a large landmark.
Searching for Shadows
When shooting outdoors you can take advantage of natural shade
to even out the exposure on your subjects. The trick from there is to
move around to find the best composition that works for that location.
Shooting into the Sun
Shooting subjects against a bright sun is a popular look these
days. Erik demonstrates a number of ways to deal with all that light.
Controlling the Contrast
Continuing with the Kayak shoot, Erik talks about adjusting camera settings to get the right mix of hilight and shadow.
Find a Unique Vantage Point
Shooting from a unique perspective can really make for dynamic and interesting shots of even the most mundane situations.
Out on the Beach: Part 1
Shooting out on the beach in the middle of sunny day is usually
the worst time of the day to shoot outdoors, but Erik has a few tips and
techniques on how create fantastic shots even in these harsh
conditions.
Out on the Beach: Part 2
The sun never stops moving, so it is a great idea to change perspectives to get even more shots out of the same location.
Over the Shoulder
Another way to get a unique perspective is to shoot from over the
person’s shoulder and really bring the viewer right into subject’s
experience.
Using the Octabank Outdoors
Erik shares some great tips for using a 7 foot Octabank in an outdoor scene, which gives the subjects a lot of room to move.
Two Suns
Your life will be a lot simpler when you can work with the
ambient light instead of working against it. In this lesson Erik brings
in an 7 foot parabolic umbrella to act as a second sun to even out the
light on the subjects.
Use Gels to Mimic Daylight
You can incorporate strobes into the mix with natural daylight by
placing gels over your strobes to make their color temperature more
closely match the light from the sun.
Sunset Shot
When shooting against the setting sun you can underexpose for
the sky with a slower shutter speed, then bring in artificial light to
fill in your subjects.
On the Water’s Edge
The edge of the sea is not a great location for setting up a lot
of gear, so Erik demonstrates how to take advantage of the high speed
sync mode of your camera to use a speedlight to add a little fill light
on your subjects.
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